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Titlebook: Virtual Orientalism in Brazilian Culture; Edward King Book 2015 Edward King 2015 Japanese culture.manga.anime.digital culture.globalizatio

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發(fā)表于 2025-3-21 18:14:09 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Virtual Orientalism in Brazilian Culture
編輯Edward King
視頻videohttp://file.papertrans.cn/984/983330/983330.mp4
圖書(shū)封面Titlebook: Virtual Orientalism in Brazilian Culture;  Edward King Book 2015 Edward King 2015 Japanese culture.manga.anime.digital culture.globalizatio
描述Orientalist discourses in Brazilian culture are an expression of anxieties about the re-structuring of time and space in the network age. The book examines engagements with Japanese postmodern culture in Brazil, which emerge in relation to the history of Japanese immigration and through a series of European and North American discursive mediations.
出版日期Book 2015
關(guān)鍵詞Japanese culture; manga; anime; digital culture; globalization; network society; Brazilian poetry; Brazilia
版次1
doihttps://doi.org/10.1057/9781137462190
isbn_ebook978-1-137-46219-0
copyrightEdward King 2015
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Ekphrastic Anxiety in Virtual Brazil: Photographing Japan in the Fiction of Alberto Renault,lebrations in Brazil. ., published in 2003, and ., published in 2006, narrate the lives of a group of young models and art photographers as they shuttle back and forth between Japan and Brazil. Both novels set out to capture the deterritorialized sensibility and transnational imaginary of a generati
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Moving Images of Japanese Immigration: The Photography of Haruo Ohara,images appeared alongside nineteenth-century Japanese . woodblock prints and the work of Japanese Brazilian artist Madalena Hashimoto in an exhibition held in the FIESP building in S?o Paulo, titled “Jap?o: mundos flutuantes” [“Japan: Floating Worlds”]. In the same year, Ohara’s family donated his a
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Afterword,ng in the interior of Paraná. A series of intertitles informs the viewer that Grota’s “documentary” includes segments of the film ., which was shot in 1980 by Jim Kleist, a North American who committed suicide in 1992, having never completed a film. Inserted between the excerpts of . are a series of
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e book examines engagements with Japanese postmodern culture in Brazil, which emerge in relation to the history of Japanese immigration and through a series of European and North American discursive mediations.978-1-137-46219-0
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