Titlebook: Virginia Woolf’s Influential Forebears; Julia Margaret Camer Marion Dell Book 2015 Marion Dell 2015 Virginia Woolf.Modernism.Literary Criti

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Halfhearted

,‘Take my lens. I bequeath it to my descendents’: Julia Margaret Cameron,n anecdote in . and develops the joke in .. She thus overtly constructs Cameron, like Ritchie, as a figure of fun, belittling, mocking and patronising her, while obliquely acknowledging her status by intertextual affiliation.

Memorial

,Introduction: ‘Born into a Large Connection’,escent, exhibiting both nostalgia for, and affiliation with, her past; but simultaneously trying to reject, suppress and obscure its influence. She constructs an unresolved dialogue between her past and her present, figured through her divided persona ‘two people, I now, I then’ (75).

抓住他投降

maladorit

,‘Let us be our great grandmothers’: Heredity and Legacy in ,ne after another across the sky’ (.: 4). This trope both enacts continuity and recurs, with the interconnected figures of the lighthouse and the telescope, throughout her work, wheeling through ., ‘The Searchlight’, . and into ..

ironic

Obsessed

一再遛

,‘The Transparent Medium’: Anny Thackeray Ritchie,unacknowledged source’ of information about the Victorian age and ‘the transparent medium through which we behold the dead’ (E3: 18). Woolf also claims that ‘Young writers might do worse than go to Lady Ritchie’s pages for an example of the power of an apparently simple and yet inevitably right sens

可卡

法律