Titlebook: Virginia Woolf; Edward Bishop Textbook 1991Latest edition Edward Bishop 1991 David Herbert Lawrence.dramatist.fiction.Henry James.Modernis

通便

FACET

,‘Kew Gardens’ and ,: Pursuing ‘It’ and the ‘Greek Spirit’,t’: the essence of the natural and the human world of the garden. From the beginning of her career Woolf had been pursuing the ‘uncircumscribed spirit’ of life, but she had been frustrated by the methods of conventional fiction. Now, she makes no attempt to deal with ‘it’ discursively — she does not

Hypopnea

Mystic

The Essays: The Subversive Process of Metaphor,s, as Jane Novak says, ‘to trace the artist’s search, to produce an analysis of the effect’,. and she does so by rendering her own search. But as in her novels, even as she leads us toward a particular insight, she alerts us to the controlling processes of language. In this chapter I am not going to

JAUNT

: From Social Language to Incantation,th to maturity, promise to fulfilment both in the completion of a work of art and in the movement beyond the individual self to contact with some larger reality — but it is the process of living and ‘the flight of the mind’, rather than the external events, that concern Woolf. As it renders this fli

Heresy

,: ‘A fin in a waste of waters’,lot and no characters in the conventional sense.. We overhear six voices, but this is certainly not stream of consciousness or even indirect interior monologue. The vocabulary and style do not change from character to character, nor does the language alter with the age of the characters (as it does

武器

,: The ‘Orts, Scraps and Fragments’ of Postmodernism,r the mood of the book is bleak and despairing (with the odd light touch) or affirmative and comic (with dark strains running through it).. The book is difficult to get a handle on: it is no longer a voyage, whether ‘out’ or ‘to the lighthouse’; it no longer focuses on a particular character, her pa

思想

施舍

Peculate

of modernist writing. She was also a prolific journalist and active publisher. In this study Edward Bishop provides an overview of Woolf‘s life as a writer, explores the connections between her fiction and her criticism, and analyses her major novels, tracing the development of her experimental techniques and her evolving sense of language.