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Titlebook: Violent Women in Contemporary Cinema; Janice Loreck Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Violence.women.cinema.a

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發(fā)表于 2025-3-21 18:34:27 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Violent Women in Contemporary Cinema
編輯Janice Loreck
視頻videohttp://file.papertrans.cn/984/983176/983176.mp4
圖書封面Titlebook: Violent Women in Contemporary Cinema;  Janice Loreck Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Violence.women.cinema.a
描述.Violent women in cinema pose an exciting challenge to spectators, overturning ideas of ‘typical‘ feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity..
出版日期Book 2016
關(guān)鍵詞Violence; women; cinema; art cinema; independent cinema; film; violent women; subjectivity; spectatorship; po
版次1
doihttps://doi.org/10.1057/9781137525086
isbn_ebook978-1-137-52508-6
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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Book 2016.Violent women in cinema pose an exciting challenge to spectators, overturning ideas of ‘typical‘ feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity..
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the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity..978-1-137-52508-6
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uickly. Robot-assisted surgery has made it possible to perform precise operations. However, it is still difficult to perform surgery in a narrow surgical field with a narrow view. Several surgical support systems using augmented reality (AR) have been studied, in which three-dimensional computer gra
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Janice Loreckteristics of immersive sims and examine if they qualify as a new paradigm. The first HCI paradigm, an amalgam of engineering and human factors, accepts interaction as a form of man-machine coupling in ways inspired by industrial engineering and ergonomics. The second HCI paradigm, in contrast, hinge
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