Titlebook: Violent Reverberations; Global Modalities of Vigdis Broch-Due,Bj?rn Enge Bertelsen Book 2016 The Editor(s) (if applicable) and The Author(s

conformity

Book 2016m or as a discursive trope. By doing so, we critically engage the far too often individuating aspects of trauma, as well as the assumption of a universal somatic that is globally applicable to contexts of human suffering. The volume takes the reader on a journey across widely differing terrains: fro

偏離

館長

Organizing Norwegian Psychiatry: Security as a Colonizing Regime,relation between a pronounced and increasing managerialism in psychiatric institutions, society’s preoccupation with risk, and the consequent reductive localization of danger in the individual patient.

Pelvic-Floor

Dappled

Laughter Without Borders: Embodied Memory, and Pan-Humanism in a Post-Traumatic Age,from Cameroon and the other from the Aegean island of Chios, to suggest that suffering need not result in trauma, but rather that our common humanity might also be found in the widespread practice of ritual laughter.

intolerance

內(nèi)部

Social Trauma, National Mourning, and Collective Guilt in Post-Authoritarian Argentina,ecause they have come to regard the disappearances as genocide. They have been holding increasingly more people accountable, and consider Argentine society as a whole responsible for the repressive violence.

我的巨大

Camouflage

Re-Assessing the Silent Treatment: Emotional Expression, Preventive Health, and the Care of Others re can have in sustaining sociality, intimacy and resilience among migrants and their family members back home. Closer attention to the relationship between talk and local conceptualizations of the body and emotions can broaden our analytical understanding of multiple types of trauma.

愛國者

Multisemic Speech Genres as Vehicles for Re-inscribing Meaning in Post-conflict Societies: A Mozambnly as collective vehicles for addressing past sufferings but also as means to redress bellicose violence through the re-inscription of meaning. As such speech genres comprise formative and crucial events laying bare more generally what Feldman calls ‘the social being of narrative truth’.