Titlebook: Violence, Trauma, and Virtus in Shakespeare‘s Roman Poems and Plays; Transforming Ovid Lisa S. Starks-Estes Book 2014 Palgrave Macmillan, a

死亡率

978-1-349-46818-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2014

Calculus

休戰(zhàn)

WAG

Shakespeare’s Perverse Astraea, Martyr’d Philomel, and Lamenting Hecuba: Ovid, Sadomasochism, and Tr and Tamyris and Semiramis, legendary warrior queens known for both their courage and their acts of vengeance. Shakespeare evokes these figures on various levels in . and connects them directly and indirectly to Tamora — an Amazonian figure who, although ultimately demonized in the play, dominates m

我怕被刺穿

使虛弱

‘One whole wound’: ,, Vulnerability, and the Emblazoned Male Body in ,king contradiction, Coriolanus embodies this shift in clinging to his delusion that he is an autonomous being with complete self-control and immunity to pain and emotion, while simultaneously demonstrating that he is incapable of controlling self-destructive passions. Through the character of Coriol

背信

echnic

Violence, Trauma, and Virtus in Shakespeare‘s Roman Poems and PlaysTransforming Ovid

FACT

assail

‘A wretched image bound’: Neo-Stoicism, Trauma, and the Dangers of the Bounded Self in , his Lucrece, & his tragedie of Hamlet, Prince of Denmarke, have it in them, to please the wiser sort.’ Tellingly, Harvey punctuates his marginal comment, written in 1603 (or earlier) on his manuscript of Speght’s 1598 edition of Chaucer, with the same quotation from Ovid’s . that heads what he judges to be the more frivolous poem, Shakespeare’s .: