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Titlebook: Violence, Trauma, and Virtus in Shakespeare‘s Roman Poems and Plays; Transforming Ovid Lisa S. Starks-Estes Book 2014 Palgrave Macmillan, a

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發(fā)表于 2025-3-21 17:37:16 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Violence, Trauma, and Virtus in Shakespeare‘s Roman Poems and Plays
副標(biāo)題Transforming Ovid
編輯Lisa S. Starks-Estes
視頻videohttp://file.papertrans.cn/984/983162/983162.mp4
圖書封面Titlebook: Violence, Trauma, and Virtus in Shakespeare‘s Roman Poems and Plays; Transforming Ovid Lisa S. Starks-Estes Book 2014 Palgrave Macmillan, a
描述Employing psychoanalysis, trauma theory, and materialist perspectives, this book examines Shakespeare‘s appropriations of Ovid‘s poetry in his Roman poems and plays. It argues that Shakespeare uses Ovid to explore violence, trauma, and virtus - the traumatic effects of aggression, sadomasochism, and the shifting notions of selfhood and masculinity.
出版日期Book 2014
關(guān)鍵詞novel; poem; poetry; transformation; William Shakespeare; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137349927
isbn_softcover978-1-349-46818-8
isbn_ebook978-1-137-34992-7
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:52:32 | 只看該作者
The Origin of Love: Ovidian Lovesickness and Trauma in ,satirical . (first performed in 1601). In this comedy, Jonson directly pokes fun at fellow dramatists John Marston and Thomas Dekker and indirectly criticizes Ovidian poet- playwrights Marlowe and Shakespeare by staging a showdown between Ovid and Virgil, moderated by Horace (most likely representin
板凳
發(fā)表于 2025-3-22 01:40:03 | 只看該作者
Shakespeare’s Perverse Astraea, Martyr’d Philomel, and Lamenting Hecuba: Ovid, Sadomasochism, and Tridian context, the line reads ‘virgo caede madentis / ultima caelestum terras Astraea reliquit’ (1.149–50) — ‘Virgin Astraea, the last immortal left / on the bloodstained earth, withdraws from it in horror’ (1.203–4). In ., the departure of Astraea, the goddess of justice, marks the end of the Golde
地板
發(fā)表于 2025-3-22 08:37:55 | 只看該作者
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發(fā)表于 2025-3-22 12:38:11 | 只看該作者
‘A wretched image bound’: Neo-Stoicism, Trauma, and the Dangers of the Bounded Self in , his Lucrece, & his tragedie of Hamlet, Prince of Denmarke, have it in them, to please the wiser sort.’ Tellingly, Harvey punctuates his marginal comment, written in 1603 (or earlier) on his manuscript of Speght’s 1598 edition of Chaucer, with the same quotation from Ovid’s . that heads what he judg
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發(fā)表于 2025-3-22 16:04:12 | 只看該作者
Bleeding Martyrs: The Body of the Tyrant/Saint, the Limits of ‘Constancy’, and the Extremity of the s Roman poems and plays. Shakespeare here uses the figure of Caesar — with its multifaceted legacy in history, legend, and myth — to explore the complex and ambivalent associations inherited from these past traditions and to expose the direct link between Christianity and its pagan Roman past. In fo
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發(fā)表于 2025-3-22 18:31:21 | 只看該作者
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發(fā)表于 2025-3-22 21:26:37 | 只看該作者
Coda transformation to incorporate multilayered intertexts of Ovid’s poetry. These plays, which juxtapose the power of the imagination alongside the horrors of violence and plurality of sexual desire, function as early and late signposts of Shakespeare’s lifetime Ovidian project.. As I noted in the Intr
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發(fā)表于 2025-3-23 04:32:09 | 只看該作者
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發(fā)表于 2025-3-23 08:02:40 | 只看該作者
ng, with only occasional one-to-one tutoring, to hard copy learning where student packs are sent by post and backed up by regular tutorials. Even within these variables, no two courses will be identical in their delivery, even if they are both using essentially the same course components. No one met
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