Titlebook: Violence, Narrative and Myth in Joyce and Yeats; Subjective Identity Tudor Balinisteanu Book 2013 Palgrave Macmillan, a division of Macmil

寬度

Modernism, Myth, Violence, and Social Change,s discussion I shall draw on Georges Sorel’s theory of social myth. For Sorel, the experience of social myth is an aesthetic experience translatable into the language of action. The language of action yielded by aesthetic experience is also a language of violence, although violence is conceived in s

Mitigate

inconceivable

Modernism, Narrative, and Violence, the leads provided by Sorel makes possible the extension of his theory into an encompassing vision of the role of art in producing social change. In developing this argument I will use Mikhail Bakhtin’s concepts of heteroglossia and monoglossia. The analytical framework thus defined will be tested

北京人起源

DRILL

Meditative

,Yeats’s Revolving Gyres,ity, whereas the Marxist perspective dissociates between the alienated work of the proletariat and its reflection in art in the cultural superstructure. In keeping with the anarchist tradition, I regard art as a means of production of material reality and social subjects.

骯臟

flaggy

Heteroglossic Desubjection and Monoglossic Subjection in Joyce, Yeats, and Sorel,e to the language of action. This leads to the definition of art as praxis in which material reality is the object of praxis, aesthetics a means of production of material reality, and the material relations between social subjects and reality the end product.

JAUNT

brother