Titlebook: Violence and Visibility in Modern History; Jürgen Martschukat (professor of history),Silvan N Book 2013 Jürgen Martschukat and Silvan Nied

孤獨(dú)無助

Violence and Visibility: Historical and Theoretical Perspectivesraib. Many pictures presented perpetrators grinning into the camera while standing proudly next to their victims who had been forced to undress and pose in humiliating positions. As the photographs indicate, the act of picture taking itself was part of the violence against the prisoners in Abu Ghrai

neolith

Torture By Any Other Name: Prelude to Guantanamo theory and what I call the “sanctities.” On the following pages, I want to question the sanctified sphere of academic theorizing, the experience of servility that is tied to the practice of humanitarian care, and, ultimately, the choices we are offered as scholars, writers, and teachers in this tim

Endoscope

The Visibility of Torture in Nineteenth-Century Case Study Collectionss used as a legal means of forcing evidence. As the places where these records are held, court archives represent a decisive instance of the visibility of violence, yet they record the treatment of the body only as detailed as required by the respective court proceedings. In the case I will analyze

代替

hypotension

Blasphemy

Violence, Visibility, and the Investigation of Police Torture in the American South, 1940–1955tling document: a color drawing made by an unknown person in the late 1940s. It is located in one of the hundreds of legal folders concerning the issue of “police brutality” (Figure 6.1).. The drawing shows the lashing of a prisoner by three men. One of the men is wearing a police uniform, including

沒花的是打擾

The “Vicarious Play” of Lynching Melodramas: Cinema and Mob Violence in the United States, 1895–1905f the region denied the populace more seemly recreations.” Lynching, he wrote, in an oft-repeated quote, took “the place of the merry-go-round, the theatre, the symphony orchestra, and other diversions common to large communities.”. On the one hand, Mencken was speaking to the ways in which lynching

PTCA635

Picturing Exclusion: Race, Honor, and Anti-Semitic Violence in Nazi Germany before the Second World n being paraded through the streets by . (SA)members; the two have signs around their necks, reading “I am a race defiler” and “I am a German girl and let myself be defiled by a Jew.” The woman holds her hand before her eyes, as if to protect herself from the stares and the public humiliation. Curio

VEIL

Life and Death in Peep Boxes: Bringing the Civil War to the American Homeean-Louis Comolli has memorably described as the “frenzy of the visible.” My contribution deals with the experience of participation, immersion, and availability of visual realities through a new medium. In the course of the nineteenth century one specific apparatus extended the field of the visible

Immunotherapy

Images of Violence in , Soldiers’ Private Photo Albumstographs by the soldier named Georg into a “sample book” (.) of frontline images that could be ordered by every member of the company. The subject matter of this sample book was described as “destroyed villages, farmsteads and sub-humans in Poland,” while in France, Georg’s camera had captured image