Titlebook: Violence and Gender in the "New" Europe; Islam in German Cult Beverly M. Weber Book 2013 Palgrave Macmillan, a division of Nature America I

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漸強

,Introduction: Undoing the Connections between Muslim Violence, “Culture,” and Secularism,n entering into a marriage with a Muslim must already know of the potential for “corporal punishment” within the marriage. The case understandably aroused great protest. For many, the case served as “evidence” of the “quiet Islamicization of Germany” (Bartsch et al.).

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reception

,Introduction: Undoing the Connections between Muslim Violence, “Culture,” and Secularism,xtreme hardship according to federal law” (Kirschstein; Oswald). The 26-year-old woman filing for divorce had been the victim of domestic violence and death threats at the hand of her husband; under German domestic abuse laws, courts had already awarded her sole access to the apartment and a restrai

Intruder

,A Regime of Gender Violence: Honor Killings, Familial Violence, and Muslim Women’s Subjectivities,ally ended Hatun Sürücü’s life but also led to a new chapter in representations of Islam and violence in Germany and Europe. Her death sparked massive national and international attention, accompanied by sensationalist headlines such as “Strangled, Stabbed, Drowned—the ‘Honor Killings’ in Berlin Pil

種屬關(guān)系

Contentious Headscarves: Cleaning Woman, Forbidden Schoolteacher, Hijab Martyr,uslim woman, Marwa el-Sherbini, in a German courtroom in 2009. The incident began when el-Sherbini, wearing a hijab, asked Alex Wiens to make space for her three-year-old son on a playground swing. He responded by accusing her of being an Islamist. She brought charges, and Wiens was subsequently fin

Fresco

folliculitis

Freedom to Imagine the World: Violence and the Writing of Self,ociety, gave a talk that elicited the following response on the satirical blog AggroMigrant. The blog entry laments the rudeness of somebody who arrives late but preaches German punctuality, and then asks:.Amusing as the insistence on “German punctuality” may be, the frustration underlying the post

緯線

,Violent Authenticities: The Work of Emine Sevgi ?zdamar and Feridun Zaimoglu,tal stage associated with the Volksbühne on Rosa-Luxemburg-Platz in Berlin. . humorously highlights the paradoxical nature of the characters that ?zdamar has conceived of and played. Promotional materials repeat a line from the play: “I always had these mother roles. I am the mother of all filmic Tu