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Titlebook: Violence Against Women in Early Modern Performance; Invisible Acts Kim Solga Book 2009 Palgrave Macmillan, a division of Macmillan Publishe

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發(fā)表于 2025-3-21 17:39:07 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Violence Against Women in Early Modern Performance
副標(biāo)題Invisible Acts
編輯Kim Solga
視頻videohttp://file.papertrans.cn/984/983110/983110.mp4
圖書封面Titlebook: Violence Against Women in Early Modern Performance; Invisible Acts Kim Solga Book 2009 Palgrave Macmillan, a division of Macmillan Publishe
描述Examining some of the most iconic texts in English theatre history, including Titus Andronicus and The Changeling, this book, now in paperback with a new Preface, reveals the pernicious erasure of rape and violence against women in the early modern era and the politics and ethics of rehearsing these negotiations on the 20th and 21st century stages.
出版日期Book 2009
關(guān)鍵詞stage; theatre; women; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230274051
isbn_softcover978-1-137-27471-7
isbn_ebook978-0-230-27405-1
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2009
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:20:18 | 只看該作者
https://doi.org/10.1057/9780230274051stage; theatre; women; British and Irish Literature
板凳
發(fā)表于 2025-3-22 00:27:42 | 只看該作者
地板
發(fā)表于 2025-3-22 08:02:37 | 只看該作者
978-1-137-27471-7Palgrave Macmillan, a division of Macmillan Publishers Limited 2009
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發(fā)表于 2025-3-22 09:19:16 | 只看該作者
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發(fā)表于 2025-3-22 15:52:34 | 只看該作者
The Punitive Scene and the Performance of Salvation: Violence, the Flesh, and the Word,hat happens, I ask, when the language, tropes, and performance tools used to shape a woman’s body in violence into a body in grace begin to break down? Is the ‘performance of salvation’, like the ‘metatheatrical return’, subject to a queer, unexpected haunting? What kinds of subversive cultural work
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發(fā)表于 2025-3-22 17:34:19 | 只看該作者
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發(fā)表于 2025-3-22 22:46:19 | 只看該作者
Afterword,he scene’s flip side, between her urge to act well and her genuine terror Maria’s performance begins to tip over the footlights and into the Real. ‘Help! [ … ] He’s killing me!’, she cries desperately between lines of text, between pre-rehearsed actions; audience members grow increasingly edgy, stir
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發(fā)表于 2025-3-23 02:46:44 | 只看該作者
Violence Against Women in Early Modern PerformanceInvisible Acts
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發(fā)表于 2025-3-23 05:37:31 | 只看該作者
Violence Against Women in Early Modern Performance978-0-230-27405-1
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