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Titlebook: Viewing Photography in Post-Dictatorship Latin America; Visual Interruptions David Rojinsky Book 2022 The Editor(s) (if applicable) and The

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樓主: calcification
31#
發(fā)表于 2025-3-27 00:57:45 | 只看該作者
David Rojinskyd show how the notion of constraint activation and vacuous satisfaction can be captured semantically, in the case of constraints expressed in arbitrary temporal logics over finite traces. We then extend the standard automata-based approach so as to incorporate relevance-related information. We final
32#
發(fā)表于 2025-3-27 02:07:54 | 只看該作者
33#
發(fā)表于 2025-3-27 06:08:24 | 只看該作者
algorithm is proposed to enable selecting the best subset of cases were the criterion holds. The resulting process models are expected to reproduce the desired level of satisfaction. A synthetic event log is used to illustrate the proposed algorithms and to discuss their results.
34#
發(fā)表于 2025-3-27 11:40:39 | 只看該作者
35#
發(fā)表于 2025-3-27 16:50:26 | 只看該作者
Visual Interruptions,tography and film which flourished in Latin America between 1997 and 2016. Katz’s intermedial film thus serves as a point of departure for presenting the concepts and lines of inquiry encountered throughout the book: the migration of the visual politics of the street protest to memory art, the refra
36#
發(fā)表于 2025-3-27 18:49:51 | 只看該作者
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