Titlebook: Victorian Poetry and Modern Life; The Unpoetical Age Natasha Moore Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 modern.ev

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The Modern and the Everyday, a cultural theory of everyday life, drawing on methods as diverse as psychoanalysis, ethnomethodology and dramaturgy in order to capture, comprehend, classify or find sites of resistance or quiet revolution in the daily lives of ‘ordinary’ people. In one sense, of course, everyday life is the commo

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Ends, apparent self-containment and finitude of a poem, this logic seems to be inverted when it comes to endings. The inexorable movement in the Victorian realist novel was towards narrative closure (the tyranny of the conventional marriage-plot); the verse-novelist, by contrast, despite a strong sense o

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Postscript: Finding a Form for Modern Love,mid-century proliferation of verse-novels, many with obtrusively contemporary subjects, slowed to a trickle sometime in the 1860s or early 1870s, and this dynamic, experimental, often ungainly or just plain mediocre, but almost invariably entertaining form ‘makes us wonder’, as Virginia Woolf remark

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The Modern and the Everyday,t invention’.. It is generally agreed that the work of Georg Lukács in the 1920s marks the earliest appearance of a fully developed concept of everyday life,. a concept that emerges out of a number of shifts within Western social and cultural life over the course of the late eighteenth and nineteenth centuries.

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2634-6494 present in their verse. Their varied efforts are recognisably akin, not least in their development of mixed verse-forms that fused novel and epic to create something equal to the miscellaneousness of the age.978-1-137-53780-5Series ISSN 2634-6494 Series E-ISSN 2634-6508

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Palgrave Studies in Nineteenth-Century Writing and Culturehttp://image.papertrans.cn/v/image/982878.jpg

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Book 2015Faced with the chaos and banality of modern, everyday life, a number of Victorian poets sought innovative ways of writing about the unpoetic present in their verse. Their varied efforts are recognisably akin, not least in their development of mixed verse-forms that fused novel and epic to create something equal to the miscellaneousness of the age.