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Titlebook: Victorian Bloomsbury; Volume 1: The Early S. P. Rosenbaum Book 1987 S. P. Rosenbaum 1987 art.Bertrand Russell.bibliography.education.histo

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發(fā)表于 2025-3-21 19:46:32 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Victorian Bloomsbury
副標(biāo)題Volume 1: The Early
編輯S. P. Rosenbaum
視頻videohttp://file.papertrans.cn/983/982848/982848.mp4
圖書封面Titlebook: Victorian Bloomsbury; Volume 1: The Early  S. P. Rosenbaum Book 1987 S. P. Rosenbaum 1987 art.Bertrand Russell.bibliography.education.histo
描述‘A subtle and powerful picture of the Bloomsbury Group...S P Rosenbaum is an unparalleled interpreter of the philosophical as well as the literary traditions absorbed by this group.‘ Richard Ellman ‘This is more detailed, more considered, more extensive, and therefore far more valuable than anything of the kind we have had before...required reading for anyone professing a serious interest in Bloomsbury.‘ Andrew McNellie This first volume of a three-volume study of the early literary history of the Bloomsbury Group describes the intellectual, family and Cambridge backgrounds of Bloomsbury as they are reflected in the Group‘s early or autobiographical works.While many books have been written on the Bloomsbury Group this is the first to study comprehensively the literary history of their interrelated achievements. Professor Rosenbaum has written a wonderful account of the ideas and people who were the early influences on the Group. He sees the modern period not as the age of ‘great men‘, but in a new light, where original ideas about art, women and society. This book will be of interest not only to anyone fascinated by the Bloomsbury Group, but also to students of Woolf or Forster or
出版日期Book 1987
關(guān)鍵詞art; Bertrand Russell; bibliography; education; history; history of literature; interpret; Interpreter; know
版次1
doihttps://doi.org/10.1007/978-1-349-13368-0
isbn_softcover978-0-333-60695-7
isbn_ebook978-1-349-13368-0
copyrightS. P. Rosenbaum 1987
The information of publication is updating

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Moores unquestionably the most important philosopher and Apostle for the Group. Yet, ever since the brilliant memoir in which Maynard Keynes undertook to describe how Moore shaped the early beliefs of himself and his friends, there have been disagreements within and without Bloomsbury about the nature of Moore’s influence.
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Memoirs, Apostle Papers and Other Essaysects and friends. In Virginia Woolf’s work, some of the most expressive rooms in . and . are Cambridge rooms. Keynes’s . includes several Cambridge lives. Four of the subjects in Strachey’s . are of Cambridge men.
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S. P. Rosenbaumcess. The creative component is the preconscious, categorially intentional (but not presentatively intentional) and value-positing dimension of consciousness; it determines in part what I see by motivating where I look at each instant; it is thus the transcendental ego.
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