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Titlebook: Versions of Heroism in Modern American Drama; Redefinitions by Mil Julie Adam Book 1991 Julie Adam 1991 America.bibliography.drama.idealism

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書目名稱Versions of Heroism in Modern American Drama
副標題Redefinitions by Mil
編輯Julie Adam
視頻videohttp://file.papertrans.cn/983/982149/982149.mp4
圖書封面Titlebook: Versions of Heroism in Modern American Drama; Redefinitions by Mil Julie Adam Book 1991 Julie Adam 1991 America.bibliography.drama.idealism
描述Taking as its starting-point the ‘death of tragedy‘ debate, and focusing on the supposed disappearance from the stage of the individual tragic hero, the book views selected plays and writings on the theatre by Miller, Williams, Maxwell Anderson and O‘Neill as exemplifying four versions of heroism: idealism, martyrdom, self-reflection and survival. Julie Adam shows that these diverse playwrights share a desire to redefine tragic heroism in individualistic liberal terms.
出版日期Book 1991
關鍵詞America; bibliography; drama; idealism; individual; knowledge; play; stage; theatre; tragedy; writing
版次1
doihttps://doi.org/10.1007/978-1-349-21363-4
isbn_softcover978-1-349-21365-8
isbn_ebook978-1-349-21363-4
copyrightJulie Adam 1991
The information of publication is updating

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Martyrdom as Heroism,often embodied in the protagonist figure) bent upon alienating or destroying the outsider; the protagonists’ victories most often reside in the preservation of personal integrity and in the uncompromising adherence to an idealized vision of the world, even at the cost of self-destruction.
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Introduction,mocratic setting, with its optimistic tendencies and its glorification of individualism, these dramatists wish to emulate a dramatic form reflecting a philosophy of life and a view of the world totally alien to their own and to those of their culture and possibly, as some have suggested, no longer relevant for the modern age.
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Heroism Reconsidered,spirit, analyses of the ideal tragic form have been accompanied by lamentations over its passing. There is a general consensus among those who claim that tragedies, as we have known them, can no longer be written that the rational temper is inimical to the creation of tragedy, that the scientific vi
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