Titlebook: Vergissmeinnicht - Psychiatriepatienten und Anstaltsleben um 1900; Aus Werken der Samml Ingrid Beyme,Sabine Hohnholz Book 2018 Springer-Ver

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Ingrid von Beyme,Sabine Hohnholz almost exclusively, male. For centuries the theatrical achievements of women remained largely invisible. The few women whose achievements made them visible emerged from a host of invisible and forgotten women, who, one can only assume, included creative and productive artists and performers. The fe

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Ingrid von Beyme,Sabine Hohnholzdle-class nuclear family was idealized as the norm after years of war. While many women had gained some semblance of independence and economic freedom when taking over men’s jobs during the war, traditional gender roles were quickly re-established in 1945, when women were kicked ‘out of the work for

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Ingrid von Beyme,Sabine Hohnholzistance coexist (Clair, 1998). In processes of self-projection as well as in nurturing relationships, women find ways to signify hegemonic language as their own, while creatively negotiating new, sometime subversive, meanings for accepted ways of talking. In the field of naming practices, this coexi

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Ingrid von Beyme,Sabine HohnholzWith her long hair blown dry, and gloss punctuating her lips, Razia wears a loose-fitting T-shirt and a pair of jeans. During the week of our interview, Razia has taken over the household duties — cooking for the family, caring for her brother, and cleaning the house — while her mother stays with fa

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