Titlebook: Values and Choices in Television Discourse; A View from Both Sid Roberta Piazza,Louann Haarman,Anne Caborn Book 2015 The Editor(s) (if appl

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Documentary and Reality TV as Modern Fairytales Together, they run a small independent television production company, Reeljems. Their reflection was developed by them after initial conversations and an interview carried out by Anne Caborn. In it they explore the challenges involved in aligning creativity and commissioning imperatives.

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It’s Not a Disaster if It Doesn’t Make the 9 O’Clock Newsers Emergency Committee (DEC). His reflection below was originally presented at the one-day interdisciplinary colloquium that was held at the University of Sussex in November 2013 and which first prompted the idea for this book. His presentation was further developed in discussion with Anne Caborn after the event.

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Commercial Imperatives and Their Impact on the Values of the Contemporary Documentary and Reality Fo including Discovery Communications, A+E Networks, Smithsonian Channel, NBC, BBC, Scripps Networks, Weather Channel, Singapore’s Media Development Authority and Paul Allen’s Vulcan Foundation - develop, produce and market television content.

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Promotional Videos When news organisations advertise themselves, they make claims that are meant to attest to what they stand for: be it that they give us ‘the whole picture’ (., UK), that we should ‘know no boundaries’ (the ., Australia), that they offer audiences ‘your news, your way’ (ABC News 24, Australia), or t

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