Titlebook: Untheories of Fiction; Literary Essays from Mark Axelrod-Sokolov Book 2021 The Author(s), under exclusive license to Springer Nature Switze

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Endearing

So, Whose Theory of the Novel Is It, and Is It Important Anyway? Prologue I,heory of fiction,” especially in relation to the novel. Unlike Forster’s approach to “Aspects of the Novel,” which implied there is only one kind of novel to which there may be an aspect, the text deconstructs how one approach to studying something as protean as the novel cannot be accomplished, hen

煩憂

Kindle, Kindle Burning Bright; or, Twenty-First Century Fiction and the Poetics of Such: Prologue Iheory of fiction,” especially in relation to the novel. Unlike Forster’s approach to “Aspects of the Novel,” which implied there is only one kind of novel to which there may be an aspect, the text deconstructs how one approach to studying something as protean as the novel cannot be accomplished, hen

漂浮

擴(kuò)張

Blemish

Xavier de Maistre: ,s . (1768) in which “the narrator, Yorick lists the different types of travelers, before describing his own type, the ‘Sentimental Traveller’.” In describing these types and throughout the work, Yorick often makes use of the same comedic immodesty Tristram used to such good effect in Sterne’s earlie

arousal

冬眠

,André Breton: , (1928), traditions. The text is unique in that it contains elements of autobiography, poetics of Realist fiction and poetry, plus inclusion of such postmodern techniques as using footnotes as fiction as well as illustrations/photos that truly amalgamate into something completely different, namely, a . nove

食草

Elizabeth Smart: , (1945),of poetic prose in the world.” What’s poetic prose read like? More importantly, what makes it poetic prose? When negotiating with notions of poetic prose, one usually marks the Symbolist poets as the point of departure, Baudelaire as the poet of departure, and how his poetic prose became the foundat

anachronistic

David Markson: , (2016),ke what Diderot was doing over two centuries earlier. . may not be a story, but it is something equally addictive: gossip, with a dash of puzzle including sniping including Michelangelo calling Leonardo “as ignorant as a maidservant.” But the not-a-novel is much more than that on a structural level