Titlebook: Understanding the Eurovision Song Contest in Multicultural Australia; We Got Love Jessica Carniel Book 2018 The Editor(s) (if applicable) a

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A Tale of Two Broadcasters: The EBU and SBS,haring service, but the loftier aim to create a share European identity and public sphere has since dominated most understandings of its history. In Australia, the song contest is screened on the Special Broadcasting Service (SBS), a hybrid public/commercial broadcaster charged with a remit to serve

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Aussie-Fying Eurovision: Local Commentary as Media Interpolation,enty-five years, Australian audiences received the BBC broadcast with commentary by the late Sir Terry Wogan, introducing consistent Australian commentary from Sam Pang and Julia Zemiro upon Wogan’s retirement in 2008. Fans value knowledge, passion, and humour from their commentators, which have bee

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A Tale of Two Broadcasters: The EBU and SBS, and represent multicultural Australia. Just as the EBU sought to create a European public sphere, SBS’s role in the Australian television landscape was to create a multicultural Australian public sphere that was also globally minded. The song contest’s popularity in Australia is both a contributing factor and resulting product of this.