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Titlebook: Understanding Cultural Traits; A Multidisciplinary Fabrizio Panebianco,Emanuele Serrelli Book 2016 Springer International Publishing Switz

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樓主: cerebellum
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發(fā)表于 2025-3-28 17:33:37 | 只看該作者
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發(fā)表于 2025-3-28 21:48:34 | 只看該作者
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978-3-319-79608-6Springer International Publishing Switzerland 2016
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發(fā)表于 2025-3-29 04:44:42 | 只看該作者
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發(fā)表于 2025-3-29 10:02:10 | 只看該作者
ntial for public policy and intercultural research.Includes This volume constitutes a first step towards an ever-deferred interdisciplinary dialogue on cultural traits. It offers a way to enter a representative sample of the intellectual diversity that surrounds this topic, and a means to stimulate
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發(fā)表于 2025-3-29 12:34:14 | 只看該作者
Cultural Traits and Multidisciplinary Dialogue, frameworks. Accordingly, the idea of cultural trait has been used and developed in several disciplines, often without any reference to each other. The result has often been non-communicability across different fields. We first show, by means of two examples, that the lack of deep interdisciplinary
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發(fā)表于 2025-3-29 17:20:17 | 只看該作者
Understanding Cultural Diversity. Culture, Cultural Traits and Cultural Changes Between Global and stand how Culture works and changes in the wider world beyond the local. Anthropologists are required to focus in a less parochial way on particularistic views and analyses of local cultures, and to study cultural processes from more wide perspectives, if they still have some ambitions to contribute
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發(fā)表于 2025-3-29 21:14:30 | 只看該作者
Cultural Traits and Identity,re are no such things as generic cultural traits. An analysis of cultural traits cannot be performed without a focus on the specific time and place in which traits are observed and ‘invented’. I present a perspective based on interactions among three main forces: block thinking (Gaonkar and Taylor),
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發(fā)表于 2025-3-30 01:58:29 | 只看該作者
The Diffusion of a Museum Exhibit: The Case of the Transparent Man,with a peak in the 1930s. Leading this trend was the experience of the Deutsches Hygiene-Museum, established in Dresden in 1912. It was relevant for pedagogical practice and for the novelty of the installations, later exported to the rest of Europe and above all to the United States. The exhibit sym
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發(fā)表于 2025-3-30 05:08:32 | 只看該作者
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