Titlebook: Understanding Blackness through Performance; Contemporary Arts an Anne Crémieux,Xavier Lemoine,Jean-Paul Rocchi Book 2013 Anne Crémieux, Xa

磨碎

香料

Xavier Lemoineong about social institutions believes that any currently existing system is optimal. When we try to explain why existing systems are deficient, we usually appeal to normative principles that formulate conditions which we think any fully adequate social system should satisfy. There are, of course, d

毛細(xì)血管

ere is "fear of the unknown" and "ignorance is bliss;" there are maxims to the effect that "what you don‘t know doesn‘t hurt you" (or: "bother you") in several languages. This volume suggests that we need be bothered by the excessive confidence with which scientists, particularly social scientists,

討好美人

eeper knowledge. Our purpose is to contribute to a broader appreciation of uncertainty than regularly accorded in any of the numerous disciplines represented he978-90-481-5785-3978-94-015-7873-8Series ISSN 0921-3384 Series E-ISSN 2352-2119

microscopic

Each Taking Risk, Performing Self: Theorizing (Dis) Narratives writing and research. This corporeal move places the body at the center of the discourse, which for some is a critical act that liberates both the researcher and those who read their texts. Yet, for many academics, the domain of traditional academic writing is sacred, and the move toward visceralit