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Titlebook: Unconformities in Shakespeare’s History Plays; Kristian Smidt Book 1982 Kristian Smidt 1982 history.history of literature.play.William Sha

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發(fā)表于 2025-3-21 18:36:56 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Unconformities in Shakespeare’s History Plays
編輯Kristian Smidt
視頻videohttp://file.papertrans.cn/942/941179/941179.mp4
圖書封面Titlebook: Unconformities in Shakespeare’s History Plays;  Kristian Smidt Book 1982 Kristian Smidt 1982 history.history of literature.play.William Sha
出版日期Book 1982
關(guān)鍵詞history; history of literature; play; William Shakespeare
版次1
doihttps://doi.org/10.1007/978-1-349-16803-3
isbn_softcover978-1-349-16805-7
isbn_ebook978-1-349-16803-3
copyrightKristian Smidt 1982
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:54:04 | 只看該作者
板凳
發(fā)表于 2025-3-22 04:09:17 | 只看該作者
Shakespeare at Work,ing the more confident re-handling. He may have borrowed feathers from Greene and his fellow wits but would be unlikely to lift passages verbatim from their plays. He more probably salvaged lines from his juvenilia and threw away the worser part of them.
地板
發(fā)表于 2025-3-22 04:38:39 | 只看該作者
5#
發(fā)表于 2025-3-22 09:08:43 | 只看該作者
6#
發(fā)表于 2025-3-22 16:05:55 | 只看該作者
Introduction,ed that ‘Whether you approach [this play] from the angle of the texture of the verse, the verse-styles, character, plot or theme, you encounter what geologists call “unconformities”.’. A similar term had already been employed by M. R. Ridley, commenting on theories of composite authorship in .: ‘a(chǎn)ny
7#
發(fā)表于 2025-3-22 20:59:19 | 只看該作者
,The Whole Contention — One Play into Two,nd even their titles are sometimes misleading. Thus everything points to the likelihood that Shakespeare began his series of plays about English kings with what the Folio called .. This is a firmly plotted drama which has a natural sequel in . but which presupposes no antecedent history play and ind
8#
發(fā)表于 2025-3-22 23:00:30 | 只看該作者
,Treachery and Dissension — Two Plays into One,ay: the war in France and the ‘jarrings’ in England. There is monumental disagreement, however, as to whether these components do, or do not, compose one play. Most modern scholars of repute, including Tillyard, Alexander, Price, Kirschbaum, Bullough, Brockbank, and Cairncross — a formidable enough
9#
發(fā)表于 2025-3-23 04:22:42 | 只看該作者
,Plots and Prophecies — The Tragedy of King Richard the Third,l’ of all his plays.. In a sense it is a metadrama in which a self-styled villain conspires with the spectators to produce a black comedy and himself plays a variety of roles in order to deceive and discomfit the other members of the cast. This actor-villain speaks a total of 166 lines (i.e. about 4
10#
發(fā)表于 2025-3-23 06:41:32 | 只看該作者
The Troublesome Theme of King John,ternal evidence to help us fix the date of composition of this play. For that matter it may have been the end-product of several stages of rewriting. In the absence of convincing proof for a very early dating (like that proposed by E. A. J. Honigmann in the new Arden edition) or a very late dating,
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