| 書目名稱 | Translated and Visiting Russian Theatre in Britain, 1945–2015 | | 副標(biāo)題 | A "Russia of the The | | 編輯 | Cynthia Marsh | | 視頻video | http://file.papertrans.cn/929/928832/928832.mp4 | | 概述 | Charts British responses to Russian theatre from 1945–2015.Analyses over 800 productions and reviews.Of appeal to students, practitioners, teachers, and researchers | | 圖書封面 |  | | 描述 | This book tackles questions about the reception and production of translated? and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers?? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?. | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | Russian drama; Translation in performance; Cultural transmission; Reference; Adaptation; Reception; Chekho | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-44333-7 | | isbn_softcover | 978-3-030-44335-1 | | isbn_ebook | 978-3-030-44333-7 | | copyright | The Editor(s) (if applicable) and The Author(s) 2020 |
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書目名稱Translated and Visiting Russian Theatre in Britain, 1945–2015被引頻次
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