| 書目名稱 | Towards a Digital Epistemology | | 副標(biāo)題 | Aesthetics and Modes | | 編輯 | Jonas Ingvarsson | | 視頻video | http://file.papertrans.cn/928/927064/927064.mp4 | | 概述 | Presents the notion of digital epistemology.Argues that early modern aesthetic practices can be productively related to expressions in digital culture.Merges media archaeology with digital humanities | | 圖書封面 |  | | 描述 | .This book explores the concept of?.digital epistemology..?In this context, the?.digital.?will not be understood as merely something that is linked to specific tools and objects, but rather as?different modes of thought. For example, the?.digital.?within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an?.effect.?or a?.reaction.?to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the?archival?principle of pertinence contribute to the analyses of contemporary digital forms?. | | 出版日期 | Book Dec 20201st edition | | 關(guān)鍵詞 | digital humanities; media archeology; media history; early modern aesthetics; digital culture; aesthetic | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-56425-4 | | isbn_softcover | 978-3-030-56427-8 | | copyright | The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 |
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