| 書(shū)目名稱(chēng) | The Theory of Beauty in the Classical Aesthetics of Japan | | 編輯 | Toshihiko Izutsu,Toyo Izutsu | | 視頻video | http://file.papertrans.cn/922/921094/921094.mp4 | | 圖書(shū)封面 |  | | 描述 | The Japanese sense of beauty as actualized in innumerable works of art, both linguistic and non-linguistic, has often been spoken of as something strange to, and remote from, the Western taste. It is, in fact, so radically different from what in the West is ordinarily associated with aesthetic experience that it even tends to give an impression of being mysterious, enigmatic or esoteric. This state of affairs comes from the fact that there is a peculiar kind of metaphysics, based on a realization of the simultaneous semantic articulation of consciousness and the external reality, dominating the whole functional domain of the Japanese sense of beauty, without an understanding of which the so-called ‘mystery‘ of Japanese aesthetics would remain incomprehensible. The present work primarily purports to clarify the keynotes of the artistic experiences that are typical of Japanese culture, in terms of a special philosophical structure underlying them. It consists of two main parts: (1) Preliminary Essays, in which the major philosophical ideas relating to beauty will be given a theoretical elucidation, and (2) a selection of Classical Texts representative of Japanese aesthetics in widely | | 出版日期 | Book 1981 | | 關(guān)鍵詞 | Japanese; aesthetics; art; culture; event; experience; metaphysics; physics; poetry; present; semantic; structu | | 版次 | 1 | | doi | https://doi.org/10.1007/978-94-017-3481-3 | | isbn_softcover | 978-90-481-8261-9 | | isbn_ebook | 978-94-017-3481-3 | | copyright | Springer Science+Business Media Dordrecht 1981 |
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