| 書目名稱 | The Representation of Economics in Cinema | | 副標(biāo)題 | Scarcity, Greed and | | 編輯 | Santiago Sanchez-Pages | | 視頻video | http://file.papertrans.cn/919/918475/918475.mp4 | | 概述 | Analyses the intimate relationship between economics and cinema through brief cultural history films.Considers topics as diverse as unions, immigration, globalization, working women, and automation.Co | | 圖書封面 |  | | 描述 | .Cinema articulates the economic anxieties of each generation of filmmakers and audiences. It has an influence on people’s views on various economic issues and many orders of magnitude larger than that of economics as a discipline. This book offers a sweeping study of the representation of economics in cinema across a wide range of areas and genres, from the conflicts over resources in the lawless Old West to the post-scarcity societies of science fiction futures. This book studies how films have portrayed trade unions, scarcity, money, businesses, innovators, migrant workers, working women, globalization, the stock market, and the automation of work. It aims to be useful to those who are interested in cinema with economic themes and to those who want to learn about economics through cinema.. | | 出版日期 | Book 2021 | | 關(guān)鍵詞 | Economics in cinema; Property rights and conflict; Work and automation; Economic crises and poverty; Wom | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-80181-6 | | isbn_softcover | 978-3-030-80183-0 | | isbn_ebook | 978-3-030-80181-6 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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