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Titlebook: The Red Letter at the Music Hall; Reviews from 1902–19 David Huxley,David James Book 2022 The Editor(s) (if applicable) and The Author(s),

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發(fā)表于 2025-3-21 17:23:42 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱The Red Letter at the Music Hall
副標(biāo)題Reviews from 1902–19
編輯David Huxley,David James
視頻videohttp://file.papertrans.cn/919/918311/918311.mp4
概述Glimpse into the lost world of Music Hall; live entertainment around the turn of nineteenth and twentieth centuries.Provides a unique view through descriptions of both the content of various acts and
叢書(shū)名稱Palgrave Studies in Comedy
圖書(shū)封面Titlebook: The Red Letter at the Music Hall; Reviews from 1902–19 David Huxley,David James Book 2022 The Editor(s) (if applicable) and The Author(s),
描述This book reprints and analyses reviews of music hall acts from the family magazine The Red Letter, which was published by the Scottish based firm D C Thomson from 1899 to 1987. The articles under review range in date from 1902 to 1914, covering theatres all over Britain and acts from around the world. The reviews are uniquely detailed and shed light not only on the early acts of comics who would later go on to achieve wider fame, such as Will Hay and Robb Wilton, but also reveal the acts of long forgotten performers. These so-called ‘wines and spirits’ acts—acts that would never top the bill but who nevertheless toured the halls, sometimes for years on end, such as female impersonator Albert Letine, comedy magician Chris van Bern and female stand up Anna Dorothy amongst many others—deserve to be remembered every bit as much as the top of the bill acts. The articles are arranged in sections, covering race, gender, character comedy, physical comedy, male comedy and specialty or ‘spesh’acts. The reviews reveal not only the contents of the acts but also the audience reactions to those acts and prevailing contemporary Edwardian attitudes. The articles are accompanied by their original
出版日期Book 2022
關(guān)鍵詞Music Hall; Variety; Theatre; Stardom; Gender; Class
版次1
doihttps://doi.org/10.1007/978-3-030-84028-0
isbn_softcover978-3-030-84030-3
isbn_ebook978-3-030-84028-0Series ISSN 2731-4332 Series E-ISSN 2731-4340
issn_series 2731-4332
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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發(fā)表于 2025-3-21 20:19:01 | 只看該作者
2731-4332 r ‘spesh’acts. The reviews reveal not only the contents of the acts but also the audience reactions to those acts and prevailing contemporary Edwardian attitudes. The articles are accompanied by their original 978-3-030-84030-3978-3-030-84028-0Series ISSN 2731-4332 Series E-ISSN 2731-4340
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https://doi.org/10.1007/978-3-030-84028-0Music Hall; Variety; Theatre; Stardom; Gender; Class
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978-3-030-84030-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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David Huxley,David JamesGlimpse into the lost world of Music Hall; live entertainment around the turn of nineteenth and twentieth centuries.Provides a unique view through descriptions of both the content of various acts and
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發(fā)表于 2025-3-23 00:09:42 | 只看該作者
2731-4332 hrough descriptions of both the content of various acts and This book reprints and analyses reviews of music hall acts from the family magazine The Red Letter, which was published by the Scottish based firm D C Thomson from 1899 to 1987. The articles under review range in date from 1902 to 1914, cov
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