| 書目名稱 | The Physics of Musical Instruments | | 編輯 | Neville H. Fletcher,Thomas D. Rossing | | 視頻video | http://file.papertrans.cn/917/916491/916491.mp4 | | 叢書名稱 | Springer Study Edition | | 圖書封面 |  | | 描述 | The history of musical instruments is nearly as old as the history of civilization itself, and the aesthetic principles upon which judgments of musical quality are based are intimately connected with the whole culture within which the instruments have evolved. An educated modem Western player or listener can make critical judgments about particular instruments or particular per- formances but, to be valid, those judgments must be made within the appro- priate cultural context. The compass of our book is much less sweeping than the first paragraph might imply, and indeed our discussion is primarily confined to Western musical instruments in current use, but even here we must take account of centuries of tradition. A musical instrument is designed and built for the playing of music of a particular type and, conversely, music is written to be performed on particular instruments. There is no such thing as an "ideal" instrument, even in concept, and indeed the unbounded possibilities of modem digital sound-synthesis really require the composer or performer to define a whole set of instruments if the result is to have any musical coherence. Thus, for example, the sound and response of a | | 出版日期 | Book 19911st edition | | 關鍵詞 | acoustics; design; history; mechanisms; physics; quality; science | | 版次 | 1 | | doi | https://doi.org/10.1007/978-1-4612-2980-3 | | isbn_ebook | 978-1-4612-2980-3Series ISSN 0172-6234 | | issn_series | 0172-6234 | | copyright | Springer-Verlag New York Inc. 1991 |
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