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Titlebook: The Philosophy of Zoology Before Darwin; A translated and ann Alexander McBirney,Stanton Cook Book 2009 Springer Science+Business Media B.V

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發(fā)表于 2025-3-21 20:05:59 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱The Philosophy of Zoology Before Darwin
副標(biāo)題A translated and ann
編輯Alexander McBirney,Stanton Cook
視頻videohttp://file.papertrans.cn/917/916371/916371.mp4
概述Thorough historical survey of the development of the concept of evolution before the publication of Darwin’s On the Origin of Species.Providing an alternative view of the recent literature and journal
圖書封面Titlebook: The Philosophy of Zoology Before Darwin; A translated and ann Alexander McBirney,Stanton Cook Book 2009 Springer Science+Business Media B.V
描述Jean Octave Edmond Perrier was a French zoologist who lived through the tumult of British Darwinism and Lyellism, and reminds us in this revealing account that French scientists had much to contribute to such perennial topics as evolution, catastrophism and creationism. While very much a product of the Third Republic, Perrier’s account also aimed to outline timeless issues and permanent advances in taxonomic and developmental biology since classical Greece and Rome. In this aim he succeeds with surprisingly modern perspectives for a book first published in 1884. Perrier was born May 9, 1844 at Tulle, the son of the principal of a school which now bears his name, Lycée Edmond Perrier. In 1864 he was accepted to the école Normale Supérieure, where he was strongly influenced by Louis Pasteur and Henri de Lacaze-Duthiers. After working for three years at a high school in Agen, he obtained a post of naturalist-aid at the Muséum National d‘Histoire Naturelle (1868), advancing in that institution to Chair of Natural History of Molluscs, Worms and Corals (1876–1903) and then Director of the museum (1900–1919) and Chair of Comparative Anatomy (1903–1921). Previous directors of the museum in
出版日期Book 2009
關(guān)鍵詞Charles Darwin; Creationism; Darwin; History of Science; Lamarck; Paleontology; evolution
版次1
doihttps://doi.org/10.1007/978-90-481-3009-2
isbn_softcover978-94-007-9145-9
isbn_ebook978-90-481-3009-2
copyrightSpringer Science+Business Media B.V. 2009
The information of publication is updating

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發(fā)表于 2025-3-21 22:26:33 | 只看該作者
ing an alternative view of the recent literature and journalJean Octave Edmond Perrier was a French zoologist who lived through the tumult of British Darwinism and Lyellism, and reminds us in this revealing account that French scientists had much to contribute to such perennial topics as evolution,
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發(fā)表于 2025-3-22 04:18:57 | 只看該作者
978-94-007-9145-9Springer Science+Business Media B.V. 2009
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發(fā)表于 2025-3-22 06:05:15 | 只看該作者
Alexander McBirney,Stanton CookThorough historical survey of the development of the concept of evolution before the publication of Darwin’s On the Origin of Species.Providing an alternative view of the recent literature and journal
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發(fā)表于 2025-3-22 15:52:37 | 只看該作者
https://doi.org/10.1007/978-90-481-3009-2Charles Darwin; Creationism; Darwin; History of Science; Lamarck; Paleontology; evolution
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發(fā)表于 2025-3-22 20:18:38 | 只看該作者
at institution to Chair of Natural History of Molluscs, Worms and Corals (1876–1903) and then Director of the museum (1900–1919) and Chair of Comparative Anatomy (1903–1921). Previous directors of the museum in978-94-007-9145-9978-90-481-3009-2
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發(fā)表于 2025-3-22 22:04:36 | 只看該作者
Book 2009post of naturalist-aid at the Muséum National d‘Histoire Naturelle (1868), advancing in that institution to Chair of Natural History of Molluscs, Worms and Corals (1876–1903) and then Director of the museum (1900–1919) and Chair of Comparative Anatomy (1903–1921). Previous directors of the museum in
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Perspektiven des autonomen Fernunterrichts “vibrant matter,” in the political theorist Jane Bennett’s words, with the ability to “animate, to act, to produce effects dramatic and subtle” (Bennett, .. Durham, NC: Duke University Press, 2010), help us to foster a connection to work and workers that doesn’t prioritize the freedom of the consum
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Cinematic Arts,ising the freedom and flexibility which his chosen medium of words gave him, he blended picture and stage to create a dynamic, fluid, powerfully visual art, in which, as has long been recognised, the art of cinema is strikingly anticipated in verbal form.
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