| 書(shū)目名稱(chēng) | The Helmholtz Legacy in Physiological Acoustics | | 編輯 | Erwin Hiebert | | 視頻video | http://file.papertrans.cn/912/911175/911175.mp4 | | 概述 | Explores the interactions between science and music in the late nineteenth and early twentieth century.Examines and evaluates the work of Hermann von Helmholtz, Max Planck, Shohé Tanaka and Adriaan Fo | | 叢書(shū)名稱(chēng) | Archimedes | | 圖書(shū)封面 |  | | 描述 | This book explores the interactions between science and music in the late nineteenth- and early twentieth century. It examines and evaluates the work of Hermann von Helmholtz, Max Planck, Shohé Tanaka, and Adriaan Fokker, leading physicists and physiologists who were committed to understanding crucial aesthetic components of the art of music, including the standardization of pitch and the implementation of various types of intonations. With a mixture of physics, physiology, and aesthetics, author Erwin Hiebert addresses throughout the book how just intonation came to intersect with the history of keyboard instruments and exert an influence on the development of Western music. He begins with the work of Hermann von Helmholtz, a leading nineteenth-century physicist and physiologist who not only made important contributions in vision, optics, electrodynamics and thermodynamics, but also helped advanced the field of music theory as well. The author traces the Helmholtzian trends of thoughtthat become inherently more complex by reaching beyond the sciences to perform a bridge with aesthetics and the diverse ways in which the human mind interprets or is taught, in different cultures, to | | 出版日期 | Book 2014 | | 關(guān)鍵詞 | Adriaan Fokker; Arithmetic Reflections in Music; Confronting Contemporary Music; Erwin Hiebert; Evaluati | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-06602-8 | | isbn_softcover | 978-3-319-38352-1 | | isbn_ebook | 978-3-319-06602-8Series ISSN 1385-0180 Series E-ISSN 2215-0064 | | issn_series | 1385-0180 | | copyright | Springer International Publishing Switzerland 2014 |
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