| 書目名稱 | The Festival Cities of Edinburgh and Adelaide | | 編輯 | Sarah Thomasson | | 視頻video | http://file.papertrans.cn/910/909660/909660.mp4 | | 概述 | Draws on perspectives from theatre studies and cultural geography.Develops a framework for assessing the relationship between festivals and their host cities.Forges an interdisciplinary, comparative f | | 圖書封面 |  | | 描述 | .The Festival Cities of Edinburgh and Adelaide .examines how these cities’ world-famous arts events have shaped and been shaped by their long-term interaction with their urban environments. While the Edinburgh International Festival and Adelaide Festival are long-established, prestigious events that champion artistic excellence, they are also accompanied by the two largest open-access fringe festivals in the world. It is this simultaneous staging of multiple events within Edinburgh’s Summer Festivals and Adelaide’s Mad March that generates the visibility and festive atmosphere popularly associated with both places. Drawing on perspectives from theatre studies and cultural geography, this book interrogates how the Festival City, as a place myth, has developed in the very different local contexts of Edinburgh and Adelaide, and how it is challenged by groups competing for the right to use and define public space. Each chapter examines a recent performative event in which festivaldebates and controversies spilled out beyond the festival space to activate the public sphere by intersecting with broader concerns and audiences. This book forges an interdisciplinary, comparative framework f | | 出版日期 | Book 2022 | | 關(guān)鍵詞 | Edinburgh International Festival; Edinburgh Festival Fringe; Adelaide Festival; Adelaide Fringe; place m | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-09094-3 | | isbn_softcover | 978-3-031-09096-7 | | isbn_ebook | 978-3-031-09094-3 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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