| 書(shū)目名稱 | The Elusive Synthesis: Aesthetics and Science |
| 編輯 | Alfred I. Tauber |
| 視頻video | http://file.papertrans.cn/909/908612/908612.mp4 |
| 叢書(shū)名稱 | Boston Studies in the Philosophy and History of Science |
| 圖書(shū)封面 |  |
| 描述 | The tension between art and science may be traced back to the Greeks. What became "natural philosophy" and later "science" has traditionally been posed as a fundamental alternative to poetry and art. It is a theme that has commanded central attention in Western thought, as it captures the ancient conflict of Apollo and Dionysus over what deserves to order our thought and serve as the aspiration of our cultural efforts. The modern schi sm between art and science was again clearly articulated in the Romantic period and seemingly grew to a crescendo fifty years aga as a result of the debate concerning atomic power. The discussion has not abated in the physical sciences, and in fact has dramatically expanded most prominently into the domains of ecology and medicine. Issues concerning the role of science in modern society, although heavily political, must be regarded at heart as deeply embedded in our cultural values. Although each generation addresses them anew, the philosophical problems which lay at the foundation of these fundamental concerns always appear fresh and difficult. This anthology of original essays considers how science might have a greater commonality with art than was |
| 出版日期 | Book 1997 |
| 關(guān)鍵詞 | Edmund Husserl; aesthetics; concept; evolution; objectivity; science |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-94-009-1786-6 |
| isbn_softcover | 978-0-7923-4763-7 |
| isbn_ebook | 978-94-009-1786-6Series ISSN 0068-0346 Series E-ISSN 2214-7942 |
| issn_series | 0068-0346 |
| copyright | Kluwer Academic Publishers 1997 |
|Archiver|手機(jī)版|小黑屋|
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