| 書目名稱 | The Economics of the Popular Music Industry |
| 副標(biāo)題 | Modelling from Micro |
| 編輯 | Christie Byun |
| 視頻video | http://file.papertrans.cn/909/908403/908403.mp4 |
| 概述 | Examines how music is consumed as an experiential good as well as an experiential service.Delves into the production and consumption of music in the streaming era.Analyzes music consumption and produc |
| 圖書封面 |  |
| 描述 | .This book uses economic theory to explain how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers.?This second edition includes new information about concert attendance and live performance in the COVID era and what followed, as well as the resultant economic?impacts on the industry.?..Throughout the book, Byun questions how the business of music affects creativity and the extent to which this impacts the creative output of the individual artist. Chapters also address copyright enforcement and online piracy. This is an approachable resource for economists interested in the music industry as well as business and music majors studying the ways in which technology can impact a creative process. . |
| 出版日期 | Book 2024Latest edition |
| 關(guān)鍵詞 | music industry; music piracy; streaming service; industrial organization; microeconomic theory; modelling |
| 版次 | 2 |
| doi | https://doi.org/10.1007/978-3-031-49899-2 |
| isbn_softcover | 978-3-031-49901-2 |
| isbn_ebook | 978-3-031-49899-2 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
|Archiver|手機版|小黑屋|
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