| 書目名稱 | The Audiovisual Chord |
| 副標題 | Embodied Listening i |
| 編輯 | Martine Huvenne |
| 視頻video | http://file.papertrans.cn/905/904789/904789.mp4 |
| 概述 | Proposes a new approach that is based on embodied listening.Uniquely contrasts the experience of listeners with the intentions of designers.Includes original interviews with film sound practitioners |
| 叢書名稱 | Palgrave Studies in Sound |
| 圖書封面 |  |
| 描述 | This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.. |
| 出版日期 | Book 2022 |
| 關(guān)鍵詞 | film sound; audiovisual chord; audiovisual perception; embodied listening; auditory space; phenomenologic |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-981-19-4807-7 |
| isbn_softcover | 978-981-19-4809-1 |
| isbn_ebook | 978-981-19-4807-7Series ISSN 2633-5875 Series E-ISSN 2633-5883 |
| issn_series | 2633-5875 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor |
|Archiver|手機版|小黑屋|
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