| 書目名稱 | The Aesthetics of Anthony Burgess | | 副標題 | Fire of Words | | 編輯 | Jim Clarke | | 視頻video | http://file.papertrans.cn/905/904097/904097.mp4 | | 概述 | Considers Burgess‘s fiction in toto, and offers readers a route into his fiction which takes account of his entire literary achievement and the substantial recent academic attention it has achieved.De | | 圖書封面 |  | | 描述 | .The book is the first full-length text on Anthony Burgess‘s fiction in a generation, and offers a radical and innovative way of understanding the extensive literary achievements of one of the twentieth century‘s most innovative authors. This book explores Burgess‘s dazzlingly diverse range of novels through the one key theme which links them all – the artistic process itself..Borrowing from Nietzsche‘s aesthetic dichotomy of Apollo and Dionysus, the book uncovers the protracted evolution of Burgess‘s fiction and offers a unifying theory which links his early postcolonial fiction chronologically, via his modernist experiments like?.A Clockwork Orange.?and?.Nothing Like The Sun., to his late classics?.Mozart and the Wolfgang.?and?.A Dead Man in Deptford... .This volume clarifies Burgess‘s seminal role as both late modernist and early postmodernist, and lucidly unveils the legacy of England‘s most mercurial novelist.. | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | Literary fiction; A Clockwork Orange; Theology; Novel; Manicheism | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-66411-8 | | isbn_softcover | 978-3-319-88237-6 | | isbn_ebook | 978-3-319-66411-8 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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