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Emer Smythrformance within these narratives occurred during the coronation celebrations for Anne Boleyn in 1533. The description of this celebration, published as ‘The noble tryumphaunt coronacyon of quene Anne wyfe vnto the moost noble kynge Henry the viij’, features a ‘sumptuous pagent’ at St Paul’s gate wh

CRASS

Emer Smythof Queen Elizabeth I, it is equally important to remember that awareness of the Queen and what she represented pervades all texts produced during her reign, even if only implicitly. Several chapters in this volume, particularly those of Yvonne Oram and Laura Tosi, explore the complex intersection be

溺愛

hematuria

Emer Smythand the significance of this transformation. Barbara Creed, in her reading of the horror film, argues that it expresses and defends against a fear of return to the archaic mother and her mawlike, devouring womb. Despite my admiration for her work, I argue against Creed that horror film also, perhaps

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CRAB

Emer Smythe toward his female characters, no such study has been made of Brian De Palmas.. Certainly, however, a critical consensus on the misogynistic sensibility of this still-active director (his latest films being ., his multimedia 2007 film about the current Iraq War, and his 2006 adaptation of James Ell

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exigent

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Emer Smythnne’s head. These scraps of paper were likely intended as souvenirs of potent political propaganda designed to communicate the message the King wished the audience to receive — that Anne would bear a son, like the ‘son’ of sibylline prophecy, who would bring about the return of the Christianized Gol