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Titlebook: Stray Dog of Anime; The Films of Mamoru Brian Ruh Book 2004 Brian Ruh 2004 animation.cinema.film

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發(fā)表于 2025-3-21 18:23:09 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Stray Dog of Anime
副標(biāo)題The Films of Mamoru
編輯Brian Ruh
視頻videohttp://file.papertrans.cn/880/879467/879467.mp4
圖書封面Titlebook: Stray Dog of Anime; The Films of Mamoru  Brian Ruh Book 2004 Brian Ruh 2004 animation.cinema.film
描述Upon its U.S. release in the mid 1990s Ghost in the Shell , directed by Mamoru Oshii, quickly became one of the most popular Japanese animated films, or anime, in the country. Despite these accolades, Oshii is known as a contrarian within anime, a self-proclaimed ‘stray dog‘, avoiding the limelight in favour of his own personal cinematic vision. He cannot be pigeon-holed, working in both live-action film and animation, directing everything from absurdist comedy to thrillers to meditations on the nature of reality. Stray Dog of Anime is the first book to take an in-depth look at Oshii‘s major films, form his early days working on Urusei Yatsura to Avalon , his most recent feature. Ruh details Oshii‘s evolution as a director, paying special attention to his personal style and symbolism, resulting in a unique guide that will appeal to anime fans and cinestes of all kinds.
出版日期Book 2004
關(guān)鍵詞animation; cinema; film
版次1
doihttps://doi.org/10.1057/9781403982797
isbn_softcover978-1-4039-6334-5
isbn_ebook978-1-4039-8279-7
copyrightBrian Ruh 2004
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:40:56 | 只看該作者
, (1981–84),oductions, Oshii followed his mentor, Hisayuki Toriumi, to Studio Pierrot where he began to hone his skills at directing animation. While there, Oshii worked on a number of shows, most notably .. An adaptation of a Swedish fairy tale, . is a tale of a young boy’s quest for identity that features gee
板凳
發(fā)表于 2025-3-22 03:11:37 | 只看該作者
(1985),, it also served as the impetus for his former colleagues to create the popular animated film . (1986). Yūji Moriyama, director of animation and storyboard artist on ., stated: “The crew [of .] consisted mainly of people who had worked on .. Initially, that TV series was directed by Mamoru Oshii, bu
地板
發(fā)表于 2025-3-22 05:02:59 | 只看該作者
(1987),was intended to highlight the stories and talents of up-and-coming anime directors through a series of unconnected, imaginative short stories, but the project lasted only two episodes. The title of the series can be read as an homage to two influential television shows: . and ., a mid-1960s’ series
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發(fā)表于 2025-3-22 09:30:43 | 只看該作者
6#
發(fā)表于 2025-3-22 14:11:29 | 只看該作者
(1995),y with the company Bandai, whose various subsidiaries produce video games, toys, and animation. Oshii had been working on another anime project for Bandai between the two . films, but the company suddenly canceled it. Said Oshii, “I was so upset that I asked Bandai if I could direct something else,
7#
發(fā)表于 2025-3-22 20:45:09 | 只看該作者
(2000) and , (2000),he did not serve as director, but was nonetheless a major creative force. The two films, . and ., are fascinating companion pieces because they are nearly polar opposites in terms of approach and style.
8#
發(fā)表于 2025-3-23 01:09:02 | 只看該作者
Conclusion,ing meditations on the position of humans in modern society. Even though his most recent works have been live-action films (. and a segment of the live-action compendium . [2003]) that he directed, Oshii has certainly not abandoned the medium of anime. He is currently at work on the sequel to ., one
9#
發(fā)表于 2025-3-23 03:16:00 | 只看該作者
(1985),t he stepped down along the way. His defection demoralized the crew and left us utterly unmotivated. We were ready to move on to something more interesting, something we could really sink our teeth into. Those of us who shared that sentiment got together and brainstormed. And this film is the culmination of all our ideas.”.
10#
發(fā)表于 2025-3-23 06:15:05 | 只看該作者
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