Titlebook: Strategies of Representation in Auto/biography; Reconstructing and R Muchativugwa Hove,Kgomotso Masemola Book 2014 Palgrave Macmillan, a di

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嚴(yán)重傷害

游行

,Imagining the Nation: Autobiography, Memoir, History or Fiction in Peter Godwin’s Writings,autobiography and memoir is to inscribe identity and project voice, through recourse to selective memory, so that the (re)positioning of the self emerges not only as interrogating the period of becoming but also revealing the fragility and elusiveness of that identity.

密碼

,Denomi/Nation: Envisioning Possibilities of Reconstructing an Alternative Zimbabwe in Muzorewa’s ,d and belonging to the nation state. They call for questions that interrogate the ways in which certain memories and processes have been privileged as constitutive of the elements that gave birth to the Zimbabwean nation. The political whirlwind that became acutely defined between 1997 and 2009 dema

Priapism

Reading Dzino: Memories of a Freedom Fighter,ersonal selective memory and self-glory. It is more so as it deconstructs the causes of the war. In the book, the author, Dzinamrira Machingura, is at war with his colleagues and participants in the struggle, those who, for the same cause of wanting to liberate the country, left their homes and fami

使人煩燥

Collar

,“We Were Little Kings in Rhodesia”: Rhodesian Discourse and Representations of Colonial Violence iny some of the commercial farmlands in their possession, Karin Alexander, herself a white Zimbabwean, alluding to Benedict Anderson’s theory of nation-building (Anderson 1991:205), says, “A nation re-imagined daily by its inhabitants requires a ‘narrative of identity’, a story that locates it in time

藝術(shù)

,Women Re-defining Themselves in the Context of HIV and AIDS: Insights from Tendayi Westerhof’s ,ed underprivileging of female agency. She further performs a sacrilegious desecration through a triumphalist narrative of a taboo subject: HIV and AIDS and openly celebrating her personhood, even though mired in divorce and disease. This chapter focuses on Westerhof’s . (2005), a novel about a woman

sparse

Historical Metaphors of the Self: Chimurenga Names as Autobiography,g long, elaborate and sometimes written embellished accounts of one’s life. This tradition of self-writing has tended to occlude other forms of self-writing such the oral genres that function as oral acts of inscribing oneself on historical processes that foster better and new social values. In the

lacrimal-gland