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Titlebook: Shakespeare’s Surrogates; Rewriting Renaissanc Sonya Freeman Loftis Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 Ge

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發(fā)表于 2025-3-21 18:19:30 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Shakespeare’s Surrogates
副標(biāo)題Rewriting Renaissanc
編輯Sonya Freeman Loftis
視頻videohttp://file.papertrans.cn/867/866302/866302.mp4
叢書名稱Reproducing Shakespeare
圖書封面Titlebook: Shakespeare’s Surrogates; Rewriting Renaissanc Sonya Freeman Loftis Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 Ge
描述Shakespeare‘s Surrogates contends that adapting Renaissance drama played a key role in the development of modern drama‘s major aesthetic movements. Loftis posits that playwrights‘ reactions to Shakespeare and his contemporaries worked to create their public personas, inform their theoretical writings, and influence the development of new genres.
出版日期Book 2013
關(guān)鍵詞George Bernard Shaw; Hamlet; Renaissance; William Shakespeare; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137321374
isbn_softcover978-1-349-46926-0
isbn_ebook978-1-137-32137-4Series ISSN 2730-9304 Series E-ISSN 2730-9312
issn_series 2730-9304
copyrightPalgrave Macmillan, a division of Nature America Inc. 2013
The information of publication is updating

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沙發(fā)
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Book 2013Shakespeare‘s Surrogates contends that adapting Renaissance drama played a key role in the development of modern drama‘s major aesthetic movements. Loftis posits that playwrights‘ reactions to Shakespeare and his contemporaries worked to create their public personas, inform their theoretical writings, and influence the development of new genres.
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978-1-349-46926-0Palgrave Macmillan, a division of Nature America Inc. 2013
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Shakespeare’s Surrogates978-1-137-32137-4Series ISSN 2730-9304 Series E-ISSN 2730-9312
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,“Blood is compulsory”: The Player’s Death in ,gaged with the Bard throughout his career, exploring his place as playwright in relation to Shakespeare through works such as . and .. . focuses on the body of the player in his phantom death, questioning both the intellec-tual possibility and the cultural purpose of performing death. While Stoppard
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Afterword,r playwright, as an effigy of flesh that contains cultural memory and embodies the literary canon, these playwrights frequently worked metaphorical violence on corpses that represent the literary corpus.
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