Titlebook: Shakespeare and Ireland; History, Politics, C Mark Thornton Burnett (Lecturer in English Literat Book 1997 Palgrave Macmillan, a division o

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ANA

Rug-headed kerns speaking tongues: Shakespeare, Translation and the Irish Languagehor was Sir D. Plunket Barton. It made no great claims for its scholarship, and the author observed modestly that ‘it is a collection of links between Ireland and Shakespeare put together in leisure moments by one who is interested in both subjects’.. The first chapter is headed, ‘. A Tragedy of the

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Book 1997l traditions. Addressing Shakespearean representations of Ireland as well as Irish writers‘ responses to the dramatist, it ranges widely across theatrical performances, pedagogical practices, editorial undertakings and political developments. The writings of Joyce, Heaney and Yeats are considered, i

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nd cultural traditions. Addressing Shakespearean representations of Ireland as well as Irish writers‘ responses to the dramatist, it ranges widely across theatrical performances, pedagogical practices, editorial undertakings and political developments. The writings of Joyce, Heaney and Yeats are con

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‘Shakespeare Explained’: James Joyce’s Shakespeare from Victorian Burlesque to Postmodern Bardgh that relationship already forms a recurrent trope in some of the most important works of Joyce criticism, I would argue that there is now an increasing need to readdress it, exploring the possibility of renegotiating the relationship in terms of a mutually enabling and less antagonistic agenda..

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No ‘Brave Irishman’ Need Apply: Thomas Sheridan, Shakespeare and the Smock-Alley Theatreech and dress unusual. O’Blunder spends much of the play trying to outwit his rivals, Cheatwell and Mr Ragou. When Mr Treadwell is found to be bankrupt, O’Blunder proves his superior character in offering to marry Lucy despite her poverty.

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