Titlebook: Sex and Film; The Erotic in Britis Barry Forshaw Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 sex.cinema.f

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This Property is Condemned: Tennessee Williams,t whose plays — when adapted for the movies — were wildly successful, not least for their inflammatory depiction of sexual matters. However, most of these adaptations had to be softened and bowdlerised in order to be shown to cinema audiences, who were considered less sophisticated — and thus more o

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World Cinema Strategies: Britain and America from the 1960s,e wrestling between Alan Bates and Oliver Reed in Ken Russell’s . two years later and the nude tableaux of male and female actors in the rock musical . began to accustom audiences to such hitherto forbidden sights. Literature had long blazed a trail in the sexual arena, from James Joyce’s . to John

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Stretching the Parameters: Bergman and Oshima,Swedish giant of film Ingmar Bergman dealt in an honest and serious fashion with issues of sexuality, along with his other concerns: the relevance of art and music in the modern world; the false consolations of belief; and, a crucial theme, the uncomfortable relationships between men and women. In t

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The Porn Revolution,andestine pornographic films becoming (relatively) mainstream, and a brief period began in which such material was considered acceptable fare for couples visiting the cinema — as opposed to the raincoat brigade that traditionally constituted the porn audience. Leaving aside the gender politics of su