| 書目名稱 | September 11, 2001 as a Cultural Trauma | | 副標題 | A Case Study through | | 編輯 | Christine Muller | | 視頻video | http://file.papertrans.cn/866/865353/865353.mp4 | | 概述 | Analyzes multiple popular culture forms in context with one another to illustrate how diverse media create a wider manifestation of cultural trauma over time.Evidences how popular culture serves as a | | 圖書封面 |  | | 描述 | This book investigates the September 11, 2001 attacks as a case study of cultural trauma, as well as how the use of widely-distributed, easily-accessible forms of popular culture can similarly focalize evaluation of other moments of acute and profoundly troubling historical change. The attacks confounded the traditionally dominant narrative of the American Dream, which has persistently and pervasively featured optimism and belief in a just world that affirms and rewards self-determination. This shattering of a worldview fundamental to mainstream experience and cultural understanding in the United States has manifested as a cultural trauma throughout popular culture in the first decade of the twenty-first century.? Popular press oral histories, literary fiction, television, and film are among the multiple, ubiquitous sites evidencing preoccupations with existential crisis, vulnerability, and moral ambivalence, with fate, no-win scenarios, and anti-heroes now pervading commonly-toldand readily-accessible stories.? Christine Muller examines how popular culture affords sites for culturally-traumatic events to manifest and how readers, viewers, and other audiences negotiate their fallou | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | September 11; Trauma in American Culture; The Dark Knight; Don DeLillo; Zero Dark Thirty | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-50155-0 | | isbn_softcover | 978-3-319-84330-8 | | isbn_ebook | 978-3-319-50155-0 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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