Titlebook: Sea Narratives: Cultural Responses to the Sea, 1600–Present; Charlotte Mathieson Book 2016 The Editor(s) (if applicable) and The Author(s)

Capitulate

Isaac Landd by a large assortment of initial and boundary conditions. In certain circumstances, such models yield exact analytic solutions. When they do not, they are solved numerically by means of various approximation schemes. Whether analytic or numerical, these solutions share a common feature: they are c

身心疲憊

胡言亂語(yǔ)

,Introduction: The Literature, History and Culture of the Sea, 1600–Present,the sea, and to define the concept of the ‘sea narrative’ that forms this volume’s core. It begins by situating the book’s unique study of sea narratives within the field of cultural histories of the sea, discussing processes of narration, the relationship between different cultural forms, and the i

治愈

A Need to Narrate? Early Modern French Accounts of Atlantic Crossings,n interactions, to the ., or perceptions of interactions with environment, the ocean and beyond. Through the analysis of four rarely-studied seventeenth-century narratives in French (Fran?ois Pyrard, Guillaume Coppier, Antoine Biet and Jean Mongin), this chapter explores the generation of narrative

笨拙處理

,‘A Sea of Stories’: Maritime Imagery and Imagination in Napoleonic Narratives of War Captivity,attention has been given to the use of landscapes, particularly mnemonic and imaginary seascapes, in voicing forced displacement in times of war. In this chapter, Duché addresses this issue by exploring, in unison, how French and British captives of the Napoleonic Wars mobilised and circulated sea-i

hermitage

,‘Through Dustless Tracks’ for African Rights: Narrative Currents and Political Imaginaries of Solomn as part of the African National Congress’s 1914 deputation to protest against the Natives’ Land Act. The chapter, drawing in part on Gilroyan and Foucauldian conceptualisations, examines Plaatje’s figuring of the open seascape, the integrated ship and an idealised cosmopolitan destination as symbo

Collar

,‘From Icy Backwater to Nuclear Waste Ground’: The Russian Arctic Ocean in the Twentieth Century,ing ships struggled with the masses of ice, technology of the twentieth century offered another imagery of the Arctic Ocean associated with the breakthroughs by crews of icebreakers and Arctic pilots. This chapter falls into two parts: the first tells of the advance of the Arctic frontier by technol

Sigmoidoscopy

Shores of History, Islands of Ireland: Chronotopes of the Sea in the Contemporary Irish Novel,pographies, and argues how the most resonant associations of the sea imagery lie in the vexed relationship between the historical past and communal and personal identity in the modern nation. Using the critical framework of the ‘chronotopes of the sea’ (‘a(chǎn)t once geographies and topoi’, Cohen 2006) a

悠然

,Women at Sea: Locating and Escaping Gender on the Cornish Coast in Daphne du Maurier’s , and ,,a version of Cornwall as romantic and picturesque, and the pigeonholing of du Maurier’s novels as over-simplistically romantic. The chapter problematises constructions of the Cornish coast and of gender in the novels through exploring the experiences of the novels’ female protagonists. Janet Coombe

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