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Titlebook: Script Development; Critical Approaches, Craig Batty,Stayci Taylor Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusi

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樓主: Jejunum
11#
發(fā)表于 2025-3-23 13:30:46 | 只看該作者
12#
發(fā)表于 2025-3-23 16:37:15 | 只看該作者
Mark Ebyja zun?chst von der Verfassung nicht gedeckt, vom Gesetz nicht gedeckt und deshalb wird diskutiert, dass man das nie, nie wieder machen darf, aber grunds?tzlich, denk ich, dass es tendenziell zu weit geht. Und warum? Muss man fragen. Ja, weil hier der Innenminister, sozusagen, den Hut auf hat und de
13#
發(fā)表于 2025-3-23 20:55:24 | 只看該作者
14#
發(fā)表于 2025-3-23 23:55:58 | 只看該作者
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發(fā)表于 2025-3-24 05:21:34 | 只看該作者
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發(fā)表于 2025-3-24 09:30:26 | 只看該作者
Complicating Cops and Criminals: Racial Politics in the Classic Network Crime Dramaby Sy Salkowitz, a prolific television writer from this era whose archived papers illuminate how a story idea moved from an initial inspiration to a completed episode. Like other writers of the time, Salkowitz strove to engage and surprise the viewer, even as he relied on formulas of network television.
17#
發(fā)表于 2025-3-24 13:08:09 | 只看該作者
18#
發(fā)表于 2025-3-24 17:08:21 | 只看該作者
The Promiscuous Screenplay: A Tale of Wanton Development and Loose Authorshipth alternative technologies (mechanical and organic) and unconventional content generation strategies. I affectionately describe this method of working as ‘promiscuous collaboration’—collaborative practice that is wide ranging in its artistic liaisons and often indiscriminate when it comes to authorship.
19#
發(fā)表于 2025-3-24 21:44:34 | 只看該作者
20#
發(fā)表于 2025-3-25 00:27:06 | 只看該作者
Originality and Authorship in the Development of the Screen Ideathat is observably a group activity. We usually default to the idea of a single author, working within (and sometimes against) the rules of the game. We admire a writer’s ‘voice’, vision and talent, and think of group work as feedback designed to perfect that, to polish it up in ways suitable for pr
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