Titlebook: Screening The Novel; The Theory And Pract Robert Giddings,Keith Selby,Chris Wensley Book 1990 Palgrave Macmillan, a division of Macmillan P

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https://doi.org/10.1007/978-1-349-20516-5drama; English literature; expectation; knowledge; literature; novel; tradition; transmission; media researc

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The Classic Novel: ,The purpose of this chapter is to present an analysis of . as a novel. No attempt is made to examine the novel in its broader social or historical context; instead, the concentration throughout is on the unique . qualities of the novel.

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The Classic Serial Tradition,take on the task of bringing Boz to such a wide public might not seem incongruous, as Dickens himself was so obviously assisted — indeed to a large extent actually shaped and conditioned — by the mass media of earlier generations.

琺瑯

Case Study: The Production of ,lizations has developed. One of the things that particularly interested us was to try to discover whether, if there were such a thing as a BBC ‘house style’ for Classic Serials production, this would run the risk of subsuming the distinctive voices of individual novelists into a continuing monotone of costume dramas.

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The Literature/Screen Debate: an Overview,ed and discussed, with particular reference to the adaptation or dramatization. of prose fiction into the medium of film and television. The majority of the issues discussed refer equally to film and television, since the concern is generally with the ‘visualization’ of the prose text; however, cert

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The Re-creation of the Past,out of this discussion was the question of the audience’s historical relationship to the text. This is something which becomes increasingly important as we move further from theory into practice, for, of the many thousands of novels available to the programme- and film-maker, the nineteenth-century

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