Titlebook: Schaltungstechnik - Analog und gemischt analog/digital; Entwicklungsmethodik Johann Siegl Textbook 20052nd edition Springer-Verlag Berlin H

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書目名稱Schaltungstechnik - Analog und gemischt analog/digital影響因子(影響力)




書目名稱Schaltungstechnik - Analog und gemischt analog/digital影響因子(影響力)學科排名




書目名稱Schaltungstechnik - Analog und gemischt analog/digital網(wǎng)絡公開度




書目名稱Schaltungstechnik - Analog und gemischt analog/digital網(wǎng)絡公開度學科排名




書目名稱Schaltungstechnik - Analog und gemischt analog/digital被引頻次




書目名稱Schaltungstechnik - Analog und gemischt analog/digital被引頻次學科排名




書目名稱Schaltungstechnik - Analog und gemischt analog/digital年度引用




書目名稱Schaltungstechnik - Analog und gemischt analog/digital年度引用學科排名




書目名稱Schaltungstechnik - Analog und gemischt analog/digital讀者反饋




書目名稱Schaltungstechnik - Analog und gemischt analog/digital讀者反饋學科排名

小步舞

vides a non-social-science perspective regarding the implications of the globalization of English in the sciences. Over the years, I have witnessed a major shift of language use in my fields from Latin, German, and Russian to English. When I entered Tunghai University, a Christian university, in Tai

Nomadic

sans, which appeared everywhere, over front doors, over windows, decorating church altars or bell towers, and even lining the streets upon which I stepped. The land had remained the host of the carvers’ labor for over two millennia, and I was happy to put my own little sweat beads in this continuum

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ce against women in conflict zones, particularly in the Democratic Republic of Congo (DRC) and Sudan.. The guest speakers were Niemat Ahmadi, a women’s rights activist and Save Darfur liaison from Sudan; Chouchou Namegabe Nabintu, a Congolese journalist who runs the South Kivu Women’s Media Associat

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ce against women in conflict zones, particularly in the Democratic Republic of Congo (DRC) and Sudan.. The guest speakers were Niemat Ahmadi, a women’s rights activist and Save Darfur liaison from Sudan; Chouchou Namegabe Nabintu, a Congolese journalist who runs the South Kivu Women’s Media Associat

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f transnational migration. The scenarios of Dominican transnationalism dramatized in their stories, and the creative practices of the artists themselves, are situated in social fields that straddle nation-states, making evident how in the age of globalization increasing numbers of people belong at v

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stion of a young English lady, aware — because Adela Quested is a very honest young lady — that India has ‘a(chǎn)voided her well-equipped mind’. But it is E.M. Forster’s question, too, and most completely his in its mingling of wonder and irritation that a country can so evade the clutches of even a symp