Titlebook: Satire and Romanticism; Steven E. Jones Book 2000 Steven E. Jones 2000 argue.construction.culture.English.English Romanticism.interaction.

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Representing Rustics: Satire, Countersatire, and Emergent Romanticism,nt publication of mutual interest to the correspondents on the general topic of sympathy for the rural poor: “I am happy to find we coincide in opinion about Crabbe’s verses; for Poetry in no sense can they be called.”

經(jīng)典

,“Supernatural, or at Least Romantic”: The , and Parody, has observed, the same era that celebrated and became known for the literary virtues of sincerity, authenticity, and originality. The era of Romantic poetry was also the era of biting parodies in the Anti-Jacobin and the radical weeklies, and in reviews such as Blackwood’s; of the politically influ

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Satiric Performance in , Rime of the Ancient Mariner and the same year the Biographia Literaria appeared (1817), a very different series of publications, of more material and immediate national concern, occupied the public. A series of pamphlet parodies and the radical journal Hone’s Reformist’s Register led in the spring

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Della Crusca ,: The Revenge of the Satiric Victims,of second-generation literary Romanticism. The radical writing of this era—like that of the 1790s—provoked conservative, loyalist satires in a resumption of the cultural battles suspended during the war with France. Frequently, Romantic literature emerges from the midst of those battles in these cul

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,Turning What Was Once Burlesque into Romantic: Byron’s Pantomimic Satire,he frustrating limits of those intentions. Byron had heard from John Murray that the closet drama was to be taken out of the closet and produced for the stage. This he vehemently opposed; instead he put forth a highly Romantic formulation of his ideal reader—as “solitary” and wholly apart from the c