Titlebook: Saramago’s Philosophical Heritage; Carlo Salzani,Kristof K. P.‘Vanhoutte Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 bi

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,Saramago’s Dogs: For an Inclusive Humanism,n his writings: dogs appear in many of his novels, and in some of them, they ascend to the rank of central characters. If the dogs always play a positive role, their presence is however charged with symbolism, and their philosophical and artistic functions need to be unpacked. This chapter presents

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Book 2018side. This volume aims at filling this gap by providing a diverse range of philosophical perspectives and expositions on Saramago’s work. The chapters explore some possible issues arising from his works: from his use of Plato’s allegory of the cave to his re-readings of Biblical stories; from his cr

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Introduction: Proteus the Philosopher, or Reading Saramago as a Lover of Wisdom,the “essayistic temptation” of his novels: this “temptation” dissolves the divisions and separations between literary genres and transforms the novel into a “l(fā)iterary space,” which, as such, admits everything into his realm: essay, science, historiography, poetry—and also philosophy.

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,Some Remarks on a Phenomenological Interpretation of Saramago’s ,y and the relationship between reality and the virtuality of experience. In ., Saramago somehow reverses Plato’s original myth, develops some of its implicit strands and creates a new model for collective imagination.

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,A Contemporary ,: Saramago’s Re-telling of the “Sacrifice of Isaac”, Biblical passage. I maintain that Saramago intends to tell the story of the “Sacrifice of Isaac” from the perspective neither of the perpetrators (God and Abraham) nor of the victim (Isaac)—rather from the perspective of humanity.