Titlebook: Russian Theatre In The Age Of Modernism; Robert Russell (Senior Lecturer in Russian),Andrew Book 1990 Palgrave Macmillan, a division of Ma

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Overview: 978-1-349-20749-7

南極

The First Soviet Plays,It is an interesting and, perhaps, unexpected feature of the Russian Civil War that the Bolsheviks appear to have placed considerably more value than their opponents on art, using the term in its widest sense. In March 1919 at the 8th Party Congress the following resolution was adopted:

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深陷

https://doi.org/10.1007/978-1-349-20749-7Modernism; Russia; Russian; theatre

hysterectomy

Boris Geyer and Cabaretic Playwriting,ime is, of all modes of existence, most obsequious to the imagination.’. Not only are we, the spectators, capable of imagining a prolonged passage of time taking place in a few moments, but the actual temporal length of the performance fluctuates in our perception, depending on the intensity of our interest or boredom.

偽善

German Expressionism and Early Soviet Drama,action. That is the period approximately from 1910 to 1925, coinciding with the emergence and development of literary Expressionism. It is to the Russian aspect of that interaction that the present essay is devoted.

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比目魚

Down with the Foxtrot! Concepts of Satire in the Soviet Theatre of the 1920s, Economic Policy (NEP), not least because of the financial and organisational difficulties these productions presented. Instead, smaller-scale events — such as Mayakovsky himself would also contribute to — became the real focus for satirical work during most of the 1920s.

Irrigate

,Stanislavsky’s Production of Chekhov’s ,productions (staged between 1898 and 1904) and Vladimir Nemirovich-Danchenko’s production of . (‘Tri sestry’ staged in 1940 — at a time when the Moscow Art Theatre was being officially promulgated as a model of ‘socialist—realist’ and ‘a(chǎn)nti-formalist’ theatrical practice. Why was it that, during rou

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