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Titlebook: Russia and its Other(s) on Film; Screening Intercultu Stephen Hutchings (Professor of Russian Studies) Book 2008 Palgrave Macmillan, a divi

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發(fā)表于 2025-3-21 19:02:24 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Russia and its Other(s) on Film
副標(biāo)題Screening Intercultu
編輯Stephen Hutchings (Professor of Russian Studies)
視頻videohttp://file.papertrans.cn/833/832242/832242.mp4
叢書(shū)名稱(chēng)Studies in Central and Eastern Europe
圖書(shū)封面Titlebook: Russia and its Other(s) on Film; Screening Intercultu Stephen Hutchings (Professor of Russian Studies) Book 2008 Palgrave Macmillan, a divi
描述Russia‘s interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the ‘Evil Empire‘ of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugee and that of the sinister mafia gang.Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia and the West during, and after, communism. The book‘s structure reflects both sides of this fascinating dialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue in a theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.
出版日期Book 2008
關(guān)鍵詞cinema; cold war; film; Sound; television
版次1
doihttps://doi.org/10.1057/9780230582781
isbn_softcover978-1-349-35509-9
isbn_ebook978-0-230-58278-1Series ISSN 2947-5007 Series E-ISSN 2947-5015
issn_series 2947-5007
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2008
The information of publication is updating

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Scant Sign of Thaw: Fear and Anxiety in the Representation of Foreigners in the Soviet Films of the le evidence of the use of foreign characters to help define and proclaim what it is to be Russian or Soviet. Since the first Russian film was released 100 years ago, in 1908, Russian cinema has examined the attitudes and behaviour of hundreds of foreign characters, and it has always been illuminatin
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